It's had a brief mention here back when it first came out, but I recently discovered Love, Death and Robots on Netflix, which shows how rarely I log in there.
As a lover of the old Heavy Metal magazine, along with the two incredible and incredibly cheesy movies, I have no idea how I missed it. It's made for me: an animation-only anthology of weird tales, many with a sci-fi bent in the spirit of the classic '50s radio dramas like X Minus One, which had heavyweights like Ray Bradbury and Isaac Asimov writing scripts. None of these hit those heights, but I love it for trying.
The first series tried a bit too hard to hark back to the worst teenage impulses of Heavy Metal and 2000 A D., with an excess of gory squished heads and lots of boobs. While that has its place as a throwback to an era best captured in '70s 'van art' (see chainmail bikinis and dragons in space), it doesn't work as well with near photo-realistic CGI animation. The first episode that is mostly devoted to two CGI monsters having a big fight was especially dull, but The Witness was fantastic (even with an entirely unnecessary CGI strip tease), and Helping Hand was incredible. Other highlights included Zima Blue and Ice Age.
Series 2 dialed back the excess (and more than halved the number of episodes) and had some really powerful episodes. Anthologies are by their nature hit and miss, but the hit rate rose a lot. Automated Customer Service, Pop Squad and The Drowned Giant all stuck with me.
I'm a quarter way through the new Series 3, and so far, it's even better. I'm going to save The Very Pulse of the Machine to last, mostly because the ligne claire art style looks inspired by Moebius, which means I'm either going to love it (if it lives up to that) or hate it (if it doesn't).